“栏槛干回锦，琉璃五色秋。落霞沉水底，绮散不能收” 。
所谓风情万种，便是万般面貌集于一处，融会加持，绰约更甚。如琉璃五色，如红霞入水，变幻难测，却处处是景，美人如是，居所亦如是。
"The sills are dry and back to the brocade, and the colored glaze is autumn. The sunset clouds sink to the bottom of the water, and the scattered clouds can't be collected."
The so-called ten thousand kinds of style means that all kinds of faces are gathered in one place, and they are blended and blessed, which is even more graceful. Like the five colors of colored glaze, like the red clouds entering the water, the changes are unpredictable, but there are scenery everywhere, the same is true for beauties, and the same is true for dwellings.
在清代，随着西式建筑风格及西式家具传入，木制家具呈现出更繁缛的结构与更富丽的面貌。怀揣着尽善尽美之心的制木者们，以孜孜以求的细腻、精致与繁复，如说书人般，静静讲述着时间的故事。
而安迪·沃霍尔的梦露，轻轻上挑的眼角，又将这故事延伸至更丰富的维度。
In the Qing Dynasty, with the introduction of Western-style architectural styles and Westernstyle furniture, wooden furniture took on a more complicated structure and a more magnificent appearance. The carpenters with a heart of perfection tell the story of time quietly like storytellers with the delicacy, delicacy and complexity they strive for.
And Andy Warhol's Monroe, with the slightly upturned corners of his eyes, extended the story to a richer dimension.
雕洋花紫檀顶箱衣柜安静伫立，Hans—Agne Jakobsson设计的台灯，投射出的光，在繁复的雕花间，转折变化，阴晴明灭，如跳跃的乐章，亦如无字长诗，摩挲、吟唱，收伏着镶百宝石插屏的绮丽，交融着GIO PONTI复古丝绒沙发的暖意，又停留在紫檀条桌细腻的束腰上。
The carved rosewood top box wardrobe stands quietly, and the table lamp designed by Hans-Agne Jakobsson, the projected light, among the complicated carvings, turns and changes. Singing, restraining the beauty of the screen inlaid with hundreds of gemstones, blending with the warmth of GIO PONTI retro velvet sofa, and staying on the delicate waist of the red sandalwood table.
此中，有无意间留驻的热切欢喜，和熨贴的华丽与体面。
Among them, there is the ardent joy that stays unintentionally, and the magnificence and dignity of ironing.
